3,636 Royalty-Free Audio Tracks for "Musical Intervals On C Sharp"

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*Septimal minor third on C = E♭ (Ben Johnston's notation). 7:6 = 266.87 cents. Limit: 7-limit.
Author: Created by Hyacinth (talk) 23:34, 13 December 2009 in Sibelius with quarter tone playback, midi pitch bend on 53 for 1465.625 cents rather than 1466.87. New version created in Sibelius with midi pitch bend on 51,85 for 1466.8701171875 cents rather than 1466.87 cents.
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Created in Sibelius. Major sixth (Diminished seventh) on C = A (B). Equal-tempered: 29/12:1 = 900 cents. MIDI pitch bend: 0,64
Author: The original uploader was Hyacinth at English Wikipedia.
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Harmonic Scale chromatic on C.
Author: Created by Hyacinth (talk) 09:13, 15 January 2012 (UTC) using Sibelius 5.
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Just augmented sixth in just C scale: A♭ and F♯. 225:128 = 976.54 cents.
Author: Created by Hyacinth (talk) 05:44, 6 January 2012 (UTC) using Sibelius 5.
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*Septimal meantone perfect fifth on C. = 696.88 cents.
Author: Created by Hyacinth (talk) 19:30, 15 December 2009 using Sibelius 5 with midi pitch bend on ~0,63 for 696.88 cents.
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*Harmonic seventh on C = B♭. 7:4 = 968.83 cents. Limit: 7-limit. MIDI pitch bend: 3,54
Author: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 3,54 for 968.823242 cents rather than 1000.
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*Classic diminished sixth on C = Abb. Just: 192/125 = 743.01 cents. Limit: 5-limit. MIDI pitch bend: 98,77
Author: Hyacinth
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*Neutral sixth on C = A. Equal-tempered: 217/24:1 = 850 cents. MIDI pitch bend: 0,80 Preceded by:File:Fifteen quarter tones on C.mid
Author: Created by Hyacinth (talk) in Sibelius 5 with midi pitch bend on 0,80 for 850 cents rather than 800.
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*2 steps in 21 equal temperament on C = D↓ (Easley Blackwood's notation). Equal-tempered: 22/21:1 = 114.29 cents. MIDI pitch bend: 73,68
Author: Hyacinth
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*Just major sixth on C = A. Just: 5:3 = 884.36 cents. Limit: 5-limit. MIDI.
Author: Hyacinth at English Wikipedia
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*Classic diminished octave/Large just major seventh on C = C♭. 48/25 = 1129.33 cents. Limit: 5-limit. MIDI pitch bend: 49,73
Author: Created by Hyacinth (talk) 09:37, 31 December 2011 (UTC) using Sibelius 5.
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*Minor second on C = D♭. Equal-tempered: 21/12:1 = 100 cents. MIDI pitch bend: 0,64
Author: Hyacinth (talk)
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*1 step in 9 equal temperament on C. Equal-tempered: 21/9:1 = 133.33 cents. MIDI pitch bend: 85,74
Author: Hyacinth
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*Greater just minor seventh on C = B♭. 9/5 = 1017.60 cents. Limit: 5-limit.
Author: Hyacinth
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Just diminished seventh in just C scale: B and A♭.
Author: Created by Hyacinth (talk) 05:45, 6 January 2012 (UTC) using Sibelius 5.
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*Septimal major seventh on C. Just: 27/14 = 1137.04 cents. Equal-tempered: 211/12:1 = 1100 cents. Limit: 7-limit.
Author: Hyacinth
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*Tridecimal minor third on C = E↓♭. Just: 13:11 = 289.21 cents. Limit: 13-limit.
Author: Created by Hyacinth (talk) in Sibelius a M2 with midi pitch bend on 35,79 for 247.7294921875 cents rather than 247.74.
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*18 steps in 19TET on C = B♯ (Easley Blackwood's notation). Equal-tempered: 218/19:1 = 1136.84 cents. MIDI pitch bend: 101,75
Author: Hyacinth
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MIDI: Perfect fourth on C = F. Equal-tempered: 25/12:1 = 500 cents. MIDI pitch bend: 0,64
Author: Hyacinth at English Wikipedia
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*Minor seventh on C = B♭. Equal-tempered: 210/12:1 = 1000 cents. MIDI pitch bend: 0,64
Author: Hyacinth at English Wikipedia
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72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals
Author: Created by Hyacinth (talk) 21:01, 16 December 2009 in Sibelius with pitch bend on 8 (3) different instruments.
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53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.
Author: Hyacinth
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Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.
Author: Hyacinth
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Seven steps in A12 equal temperament on middle C. 3(7/12)=1109.47 cents.
Author: Hyacinth
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Six steps in A12 equal temperament on middle C. 3(6/12)=950.98 cents.
Author: Hyacinth
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Five steps in A12 equal temperament on middle C. 3(5/12)=792.48 cents.
Author: Hyacinth
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Four steps in A12 equal temperament on middle C. 3(4/12)=633.99 cents.
Author: Hyacinth
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Eight steps in A12 equal temperament on middle C. 3(8/12)=1267.97 cents.
Author: Hyacinth
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Example of a German sixth chord, preceded by predominant chords, in Scott Joplin's Binks' Waltz (1905).
Author: en:Scott Joplin
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Two steps in A12 equal temperament on middle C. 3(2/12)=316.99 cents.
Author: Hyacinth
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Three steps in A12 equal temperament on middle C. 3(3/12)=475.49 cents.
Author: Hyacinth
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Nine steps in A12 equal temperament on middle C. 3(9/12)=1426.47 cents.
Author: Hyacinth
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Ten steps in A12 equal temperament on middle C. 3(10/12)=1584.96 cents.
Author: Hyacinth
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Eleven steps in A12 equal temperament on middle C. 3(11/12)=1743.46 cents.
Author: Hyacinth
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One step in A12 equal temperament on middle C. 3(1/12)=158.50 cents.
Author: Hyacinth
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Half-diminished seventh chord on sharpened subdominant in C.
Author: Created by Hyacinth (talk) using Sibelius 5.
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*2 steps in 7-et on C. Equal-tempered: 22:7:1 = 342.86 cents. MIDI pitch bend: 91,77
Author: Created by Hyacinth (talk) using Sibelius 5 with midi pitch bend on m3 on ~92,77 for about 342.86 cents.
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*Undecimal neutral sixth on C = A↓ (Ben Johnston's notation). 18:11 = 852.59 cents. Limit: 11-limit.
Author: Created by Hyacinth (talk) in Sibelius with midi pitch bend on 81 for 853.125 cents rather than 852.59. New version a m6 on 106,80 for 852.587890625 cents rather than 852.59.
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*1 step in 7-et on C. Equal-tempered: 21/7:1 = 171.43 cents. MIDI pitch bend: 110,54
Author: Hyacinth
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*Superminor third on C = D♯-. 17:14 = 336.13 cents. Limit: 17-limit.
Author: Hyacinth
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*3125th harmonic on C = F♯+. Equal-tempered: 23125/2048:1 = 731.57 cents. Limit: 5-limit. MIDI pitch bend: 13,42 on A7
Author: Hyacinth
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*Bohlen-Pierce scale: interval between C and A on C = A. Just: 7/6 = 266.87 cents. Limit: 7-limit. MIDI pitch bend: 51,53
Author: Hyacinth
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*Major third on C = E. Equal-tempered: 24/12:1 = 400 cents. MIDI pitch bend: 0,64
Author: Hyacinth (talk)
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Dominant seventh chord on G: G B D F. In root position, 1st inversion, 2nd inversion, and third inversion, then at the octave in root position.
Author: Hyacinth
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